Two detectives investigate the ex-lover of a criminal, and as they watch her from afar, they realize she is no different from them. It's Alfred Hitchcock's Rear Window meets Akira Kurosawa's High and Low.
Chong-dong Lee’s Peppermint Candy crafts an intricate backward paddling kind of a linearity, providing scenes from the narrative’s end first and then the beginning, inverted. The approach is a unique one, using a slow burn cade...
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